We all have friends who spend more time in their virtual worlds, and video games have some pretty interesting soundtracks to keep players coming back. Many songwriters have been quite successful in creating music for video games. Kotaku, the popular gaming site, profiles artists already composing for games, and ASCAP has created a FAQ about how music licensing works when it comes to video games.
Freewriting is the act of nonstop writing for a predetermined amount of time without concern for grammar, quality, or any other regulations. Initially, this can look like some serious word-vomit, but if you keep going, you’ll often find yourself coming up with interesting ideas, or finding momentum on specific topics. Much like stretching before exercising, this process can kick-start your creativity and help you overcome any feelings of self-criticism.
Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.
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One other interesting thing about the I-IV-V progression is that, within the chord tones of this progression, it collectively outlines the entire major scale. Remember, the I chord is D, made up of the notes D, F♯, and A; the V chord is A, made up of the notes A, C♯, and E; and the IV chord is G, made up of the notes G, B, and D.
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Now that you’ve got a nice, loud vocal sitting right up in your face, it’s time to add a little space with reverb and delay. Stereo effects are great for creating width, while mono effects work better for pushing the vocal back in the mix and adding depth.
Although I loved being a DJ, I wanted to go beyond the playing and really understand how music worked. When I turned 18, I had the opportunity to move to Madrid and study Sound Engineering and Production. Although very insightful, it still wasn’t enough — I was hungry for knowledge and wanted to understand how a DJ could connect with an audience, so I delved into the world of Musicology to understand how music affects and influences our brain.
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Admitting that no music is truly 100% original (even the great composers of classical music borrowed ideas from their predecessors and contemporaries), consider which artists you draw influence from and what elements of their music you find to be most similar, inspiring, and relatable to your vision.
But sometimes getting a good price isn’t enough to justify hoarding equipment. If you got it for a good price chances are you could turn it around get just as much for it — if not more! Which leads me to my next point.
All these elements contribute to how engaging your podcast will be. In addition to these technical components, people like consistency when it comes to podcasts. The vast majority of listeners consume podcasts on their commute to work and likely have a routine and structure to their day. While spontaneity is great, consumers also want to know what they are expecting with each episode and how it might unfold. Write down several structures for your podcast and do research on other podcasts as to what you like and don’t like about them. Make it your own, but have a clear goal where you want to go with your content.
Here’s a quick video full of tips about how to reach out to venues you’ve never played at, courtesy of Soundfly’s free online course on DIY booking, management, and promotion, Touring on a Shoestring.